My latest showing “Myths & Legends, Gods & Demons” opens this Friday, March 18. There will be a streetside opening reception on Friday at 5pm. Come out and see the works, some of which have been on this page, while others are new. Hope to meet some of you there!
“Pulse” is a hand pulled ink on paper monotype which, in an abstract way, attempts to instill a rhythmic sense of motion into a static image. I’d like you to be able to visually hear and feel the “Pulse”. Matted and framed to 20” x 16”.
“Celebration” is an abstract expression of spontaneous joy and enthusiasm. Perhaps something unexpectedly went better than you were anticipating – which is why it is an abstract piece. A hand pulled ink on paper monotype, it is matted and framed to 20” x 16”.
For a number of years I have been intrigued by the folklore, traditions and mythologies of the British Isles that underpin the legends of the Green Man. There are numerous depictions, representations and images of him, ranging from simple and basic to remarkably complex and detailed, but far fewer of his cat, and, to the best of my knowledge, this is the most accurate one. The Green Man’s Cat is a handpulled ink on paper collographic monoprint, matted and framed to 12” x 16”. $250.
One evening after reading a review of an abstract art show, an article on butterfly migrations and watching part of a TV show on animal cognition, I found myself thinking about what butterflies think about. The result was Abstract Thoughts of a Butterfly a found object/recycled paper collage, which attempts to reflect my thoughts , and perhaps those of the butterflies. Matted and framed to 20” x 16”.
The original idea for The Kingdom of the Spirits came from the March 2014 Smithsonian magazine cover story and illustrations about the search for Michael Rockefeller in New Guinea. However, as I researched it I came to realize that not just in New Guinea but in many cultures the decoration of human skulls is part of the spiritual and religious experience. As a result, I chose not to reflect any particular culture but rather to emphasize what I felt was common to them all: the dichotomy between the bright glittering light of the spirit world and the somber, muted colors of the physical world. The Kingdom of the Spirits is a mixed media/mosaic sculpture composed using a paper-mache skull, MDF, found wood, rocks, pebbles, rhinestones and glass beads. 10.5”H x 8”W x 10”D
The God of the West is the second in the Directional Gods Series (The God of the South was posted last week) In this series, the image of the god is substantially the same, but color, in this case the red of the setting sun, is used to evoke the spirit of this particular god. Matted and framed to 16″ x 20″. $395.