A number of years back I did a series of black and white photographs in and around southeast Washington, DC using a Pentax SLR and Kodak 400 film. These were primarily of the architectural details, their interaction with the trees in the small yards and the lights and shadows. I did my own darkroom work (the Stone Age version of Photoshop) and titled the series: STILL LIFE IN THE CITY. In December of 2021 I used the black and white filter on my cellphone camera, to take a similar series in southeast DC and titled it STILL LIFE IN THE CITY – II. Other than the black and white filter and some cropping, there were no changes to the images. In many ways STILL LIFE IN THE CITY#2, part of that series is an exercise in visualizing in black and white.(2021)
WHATTHEFLOCK? is part of my “Views From a Third Floor Window” Series as part of my trying to learn how to use digital photography as an art form. Initially I am going to focus (pun intended) on basic composition rather than image manipulation. WHATTHEFLOCK? was shot using my cell phone and because of the weather (overcast, dreary and dank), the distance, and being shot hastily through a window as well as that I am just starting to use my cell phone as a camera ended up being an interesting silhouette shot. What was interesting to me about this flock is that it was composed of robins, cardinals and sparrows – something I had never seen before except around a feeder
REFLECTIONS OF HOME is a somewhat originally composed if unoriginally titled digital photograph of my apartment, taken as a reflection off the back window of my van using my cell phone. This image is exactly as taken except for some minor cropping. As I start experimenting with digital photography as an art form, I am initially concentrating on composition rather than image manipulation.
WE ARE NOT ALONE was taken with my cell phone camera around 3 pm on July 19, 2021 looking out my sunroom window towards Warminster Park. While I suppose it could be part of my “Views From a Third Floor Window” Series, it actually predates the start of that series and was essentially a reflex action on my part. Shortly after I took this shot, the image was gone and I’m going to have to leave it to the viewer to determine what they are seeing. WE ARE NOT ALONE, with the exception of some minor cropping, appears exactly as I took it with no staging, alterations, enhancements, or manipulations.
LIVING HIGH, part of my “Views From a Third Floor Window”, has nothing to do with beverages or substances. Instead it references the feeling of knowing that when you live on the third floor of a retirement community, no matter how much it snows-you don’t have to shovel it. LIVING HIGH was shot with my cell phone camera early one morning just before breakfast and with the coffee already poured. The image, except for some minor cropping, is exactly as I took it with no filters, alterations or manipulations.
MOLTEN SKIES # 6 like MOLTEN SKIES #1 and all of the pieces in the Series is presented exactly as photographed without any alterations, (except for some minor cropping), enhancements or the use of any filters. I am continually surprised by the range of colors and vistas that the sunset sky presents.
MOLTEN SKIES #1 is part of my “Molten Skies” Series which, in turn, is part of my “Views From a Third Floor Window” Series of digital photographs. While I have used digital photography to submit images of my art work to juried shows, I am just starting to experiment with it as an art form in and of itself. MOLTEN SKIES #1 was shot using my cell phone without any filters or changes except for cropping and is of a late January southwestern sky just after the sun dipped below the horizon.
I have now been at Ann’s Choice for a little over 18 months and am starting to get a more focused picture (pun intended) of what I am going to be doing to scratch my artistic itch. While I expect not to be making any new handmade paper, and doing much less, if any ceramics and printmaking (the facilities and location don’t really lend themselves to these mediums – at least as I do them), I am expecting to go back to a couple of mediums, stained glass and woodworking, that I haven’t worked with in years; to expand my collage work, and to explore a couple of new mediums, digital photography as an art form and origami using my existing supply of handmade paper.
The piece shown here, DECEMBER MORNING FOG, is part of a series of digital photographs taken, in this case with my cell phone, from my apartment window and titled “Views From A Third Floor Window”. The color is natural: no filters were used and the only editing was some cropping and sizing for internet transmission.
The next two pieces will be two different collage impressions inspired by DECEMBER MORNING FOG.
GPL #113, a digital color photograph, is part of my new Series: “The Geometry of Power and Light“which focuses on the geometric patterns and shapes created by the poles, lines and equipment used for electrical transmission and how those patterns and shapes change as your perspective changes.
GPL #116, a digital color photograph, is part of my new Series: “The Geometry of Power and Light“, which focuses on the geometric patterns and shapes created by the poles, lines and equipment used for electrical transmission and how those patterns and shapes change as your perspective changes.