UNUSUAL VIEWS

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I am very pleased to announce that my stained glass/ceramic sculpture, CHILD’S GARDEN ON GILESE 832 X: BLUE FLOXNIA, will be part of the Descanso Gardens “Unusual Views” Exhibition. CHILD’S GARDEN ON GILESE 832 X: BLUE FLOXNIA can be viewed at the Stuart Haaga Gallery at Descanso Gardens,1418 Descanso Drive, La Canada Flintridge, CA 91011 from the opening reception for the Exhibition on February 10, 2019 until its closing on June 9, 2019.

ABSTRACTED EMOTIONS #1

(C) JOHN FANSMITH 2019

ABSTRACTED EMOTIONS #1 is a hand inked and hand pulled monotype printed on paper I made using scrap watercolor and business paper which is in turn mounted on another sheet of paper I made using banana peel and abaca. ABSTRACTED EMOTIONS #1 is the first in a series which will try to match abstract prints with handmade papers from materials such as banana peels, corn husks, asparagus stalks, kale stems, pineapple leaves and cantaloupe rinds each of which produces a paper with a unique texture and color.  I am finding that the more I become involved in creating art, the more I become interested in using found, salvaged, and recycled objects and materials as part of it, whether it be ceramics, paper making, print making or collage.

FRESH CUTS — THE ART OF PAPERCRAFT

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I am very pleased to announce that my Joomchi wall hangings, PORTRAIT OF GAIA: 2018 and THE ART OF THE GERRYMANDER, will be part of the Crooked Tree Arts Center’s “Fresh Cuts – The Art of Papercraft” Exhibition. The Exhibition will open with a reception from 2 to 4 pm on Saturday, January 12, 2019 and will run until February 16, 2019. The Crooked Tree Arts Center is located at 322 6th Street, Traverse City, MI 49684.

WINTER GRASS

(C) JOHN FANSMITH 2019

WINTER GRASS is set at twilight in late December. The sky is clouded and a strong wind is blowing from the North. Snow is in the air. The conditions are harsh and the scene is bleak, yet the grass is resilient, bending but not breaking in the wind, enduring and waiting for the coming of spring. A hand inked and hand pulled monotype printed on watercolor paper, it is matted and framed to 16” x 20”.

 

Crop Circles

(C) JOHN FANSMITH 2018

CROP CIRCLES takes the RUST BELT technique a step further. In CROP CIRCLES, a hard plate is inked fairly heavily and while it is still wet thin pieces of layered and unsealed cardboard are applied as a resist. Additional ink is applied and the plate is allowed to dry. Because some of the ink is absorbed into the cardboard, the cardboard layers separate during printing creating a collage or chin colle effect. Matted and framed to 14” x 11”.