Saint John the Mosaicist, one of the more obscure members of the pantheon of Saints, is known primarily for never having been observed or heard to have sworn or blasphemed despite spending his entire life gluing small pieces of glass, stone or ceramics to wooden boards. Although most historians believe that he worked in northern Italy during the period 1358 – 1387 AD, no one has been able to authenticate any mosaic pieces from that time and place as having been the work of Saint John the Mosaicist. There are no known images of him and the Church’s canonization records are surprisingly vague. While SAINT JOHN THE MOSAICIST is composed of a hand built, raku fired paper clay “mask”, a border of stained glass strips left over from a prior project and a background of glass tiles and stained glass pieces liberated from the mosaic shard pile at the Abington Art Center, the story of Saint John the Mosaicist has been woven from whole cloth. (2020) (24” x 24” x 1 ½”) ($275)
I am very pleased to announce that jurors Isabel Webb, Janet Webb, and Greg Moon have selected my smoke fired ceramic tile wall hanging DARK MOON RISING to be part of the After Dark 8 – National Juried Exhibition to be held from March 23, 2019 until April 13, 2019 at the Greg Moon Gallery at 109 Kit Carson Road, Taos, New Mexico 87571. This will be the first time that I have exhibited any of my work in Taos which is regarded by many as one of the top art centers in the United States.
SANDS OF TIME – PORTRAIT OF A MENTOR is a mixed media sculptural piece combining a hand-built, raku-fired ceramic head with a glass tile base. This piece, for me, evokes the image of an artifact emerging from the sands outside Luxor. The rest of the title comes from my mentor (and friend) Carol Stirton-Broad, who happened to wear an outfit on the day I was finalizing the design that reflected the pattern, the color and the tone of the tiles I was planning to use for the base. 18″x5.5″x7.5″,
DARK MOON RISING is a 21” x 21” wall hanging consisting of 26 hand built and smoke fired stoneware tiles. The tiles were smoke fired over a 28 hour period using a mixture of hard and soft wood chips as the firing medium. The title, DARK MOON RISING, reflects my first reaction to the piece after it was completed
I’ve never really understood the “sport” of trophy hunting, particularly when the “trophy” is not something capable of hunting you back. For food or fur, okay, but just for a head to hang on a wall? Having said that, TROPHY: THE LAST RED-CRESTED WATCHAMACALLIT represents my first, and probably last, venture into the art of trophy gathering of endangered species. TROPHY: THE LAST RED-CRESTED WATCHAMACALLIT is a mosaic/mixed media wall hanging composed of glass, hand built paper clay, marbles and MDF. 12”H x 7 ½”W x 10”D