SELF-PORTRAIT # 6

(c) JOHN FANSMITH 2020

SELF-PORTRAIT #6 is a wall sculpture consisting of 20 hand sculpted and hand glazed paper clay tiles which were then fired to cone 04 and mounted on an MDF backer using Thinset. Like all of the other pieces in the IRIAAM (It Really Is All About Me) Series – with the exception of the photographs – there are large measures of both artistic license and artistic ineptitude involved in SELF-PORTRAIT #6. It does illustrate why I don’t consider myself to be a painter and thus may be , by some measure, considered to be an accurate, if not particularly flattering self-portrait. I could have subtitled it PORTRAIT OF THE ARTIST AS A PAINTER. It was, however, fun to make. ($669) (2020) (15 ½” x 19″)

Motherboard

OLYMPUS DIGITAL CAMERA

MOTHERBOARD is a mixed media, found object, wall sculpture which incorporates the motherboard from a refrigerator, ceramic tiles left over from two backsplash projects, and three press molded and distorted images made from handmade and raku fired paper clay. An exercise in anthropomorphism, it is intended to put a face on and give personality to something that has neither. (2020) (19” x 8” x 1 ½”) (($195)

THE ART OF HOPE

(C) JOHN FANSMITH 2017

I am very pleased to announce that juror John Sabraw has selected my hand built, raku fired paper clay sculpture AN OLD MAN’S PRAYER to be part of Mississippi State University’s national juried exhibition “The Art of Hope”. The exhibition will run from January 20, 2020 until March 27, 2020 at the Cullis Wade Depot Art Gallery, 75 B.S. Hood Road, Mississippi State University, MS 39762. There will be a reception on Friday, January 31, 2020. AN OLD MAN’S PRAYER is part of my “Expressive Hands” Series of small, hand built, raku fired paper clay sculptures from 2017 and 2018. In AN OLD MAN’S PRAYER the fingers are bent with time and wear. Expectations have been colored by the disappointments and trials of life but there is hope – perhaps this time.

REVISING DARWIN

(C) JOHN FANSMITH 2019

 

REVISING DARWIN is a hand built raku and glazed fired, sculpture with found objects (gneiss) and is part of the “Avianus Abstractus” Series. It is intended as a very tongue in cheek exposition of a new, never previously advanced, theory of evolution. I am hopeful, however, that the scientific community will take up the challenge and that new evidence supporting it will be uncovered. (2019) (13 ½” x 11” x 15”) ($350)

HEADS OR TAILS

(C) JOHN FANSMITH 2019

 

Are you a bird watcher or a whale spotter? Do you see the crested head of a bird or the flukes of a whale’s tail? You can be and do both. HEADS OR TAILS? was originally intended to be a “bird” only and part of my “Avianus Abstractus” Series of hand built, raku fired paper clay sculptures which I was creating for submittal to a show themed as “Wings and Water”. However, with a couple of modifications to the original design and an adjustment to the glazes, I think I was able to create a piece that could be either fish (well mammal) or fowl and which fit even more squarely within the “Wings and Water” concept. Other than some of the pieces I created specifically for my solo show “Myths and Legends, Gods and Demons” the pieces in the “Avianus Abstractus” Series mark the first time I have created pieces for a specific show. (2019) (13 ½” x 9” x 8”) ($295)