WOMAN IN BLUE is essentially a found object, a stunningly beautiful piece of stained glass that changes appearance as the light changes. It was donated to the Ann’s Choice Stained Glass Club because while beautiful it is also a very difficult piece of glass to work with. I picked it up, managed to trim most of the problems and decided to let the piece essentially speak for itself rather than pressing my luck. This is a piece in which everyone will see something different, but I have titled it WOMAN IN BLUE because I see a woman in left profile turning her head to the right, or at least that is what I see most of the time, and of course, blue is the predominate color. For this reason, I have chosen to emphasize the neckline on the right side by using a clear glass and a heavy solder line rather than trying to match the glass. I have enclosed it in a natural color pine hanging frame. (2022) (28 ½” x 15 ½”) ($350)
A lot of my work involves using found objects and recycled and repurposed materials. FEATHER is just such a piece using a molted feather from a broad tailed hawk and a sheet of handmade paper using asparagus and kale stems, corn husks, pineapple, day lily, and daffodil leaves, grass clippings and abaca. I have a large variety of handmade papers, and went through them all, but this combination really seemed to work best. FEATHER is a one of a kind piece because while I do have a couple more sheets of this particular paper, I found only the one feather. To the best of my knowledge, no hawk was harmed in the making of FEATHER.
AFTERMATH #2, like AFTERMATH #1, was seven years in the making. The main body of the piece is part of a tree limb shattered by Super Storm Sandy in 2012. The only work done to it was wire brushing it to remove dirt and evening the bottom. The base is unglazed bisque fired paper clay. While the original inspiration for AFTERMATH #2 was cleaning up after Sandy, the final impetus to finish it was the images of the Bahamas after Hurricane Dorian. (14” x 8” x 7”) (2019) ($225)
AFTERMATH #1 is a sculptural piece that is seven years in the making. The main body of the piece is part of a tree limb shattered by Super Storm Sandy in 2012. The only work done to it was wire brushing it to remove dirt and evening the bottom. The base is unglazed bisque fired paper clay. While the original inspiration for AFTERMATH #1 was cleaning up after Sandy, the final impetus to finish it was the images of the Bahamas after Hurricane Dorian. (19 ½” x 9” x 9”) (2019) ($245)
I am very pleased to announce that juror Bryant Holsenbeck has invited my welded steel sculpture THE HALLOWEEN BUNNY into the Arts Council of Fayetteville/Cumberland County “Reclaimed!” Show, a show which is focused on the use of reclaimed, recycled, and repurposed materials. The “Reclaimed!” Show will be located at 301 Hay Street, Fayetteville, NC 28301 and will run from June 28, 2019 until August 17, 2019. This is THE HALLOWEEN BUNNY’S second visit to North Carolina, previously having been part of the “Menagerie – Wild and Wonderful” Show in Washington, NC.
GMO # 37 is a mixed media sculpture using a found object and hand built raku fired paper clay. Somehow, using a purely natural object (a piece of yew root), and something completely manufactured (paper clay), seemed the appropriate way to depict a “genetically modified object”. GMO #37 is part of a series of mixed media sculptural pieces I’m going to be concentrating on this year. For want of a better title, I’m calling it my “Look What I Found” Series.
PRELUDE, part of my “Look What I Found” series of sculptures using found objects and hand built paper clay elements, draws upon my “Rim of Fire” series for its inspiration. The pieces in the “Rim of Fire” series use stained glass and paper clay fired together to depict the early moments of a volcanic eruption. PRELUDE, as its name implies, is of an earlier moment: the clouds of ash are rising but the eruption has not started. PRELUDE is composed of distorted Styrofoam, handmade paper clay, resin, underglazes, and acrylic and enamel paints.
In ORACLE, two High Priests seek guidance in a desolate place amidst a surreal mixture of the natural and unnatural. ORACLE is a mixed media sculpture: the base consists of handmade paper clay using rehydrated scrap clay and recycled newspapers fired together with glass tiles; the “tree” is a found object, part of a yew root from a necessary brush cutting; the “Oracle” is composed of a different type of glass tile than in the base, and the “High Priests” are hand built and raku fired using a different type of paper clay than used in the base. Underglazes, epoxy, acrylic paint and shellac complete the piece – as I said, a combination of natural and unnatural. (11” x 13 ½” x 7”) ($325.00)
FULL MOON DREAMING is a paper collage which uses recycled materials to create an ethereal sense of a time and place existing only in a dream. (141) (20” x 16” – $275)
I am finding that the more I become involved in creating art, the more I use found, salvaged, and recycled objects and materials as part of it, whether it be ceramics, paper making, print making, collage, or in this case, welding. All of the welding I did at Snow Farm involved sorting through a large pile of scrap steel of various sizes, shapes and weights to find the makings of a sculpture. The HALLOWEEN BUNNY series started with a pair of hand shears which reminded me of a rabbit’s ears and face and were lying next to some small garden tools which reminded me of paws (well actually claws). This creative scavenging is something that I find very enjoyable and am hoping to continue. It’s not really practical for me to set up a home welding studio/shop so I’m currently looking for a local place to work (as Snow Farm is a 5 ½ hour drive away).