Abstracting Emotions #7

(C) JOHN FANSMITH 2019

ABSTRACTING EMOTIONS #7 is the seventh in my “Abstracting Emotions” Series which uses two different types of my handmade paper. The printing, a hand inked and hand pulled dark field monotype, was done on paper made from scrap watercolor, BFK, and business correspondence paper which were shredded, boiled together, sheeted and Plexiglas dried to create a white/off white relatively monochromatic and smooth printing paper. The print was then mounted on a different sheet of my handmade paper which was made from corn husks and abaca in order to create a patterned and textured counterpoint to the print. (16” x 16”) (2019) ($250.00)

Art of the Gerrymander in Webster Arts

Webster Arts

I am very pleased to announce that juror Roxanne Phillips has invited my Joomchi wall hanging THE ART OF THE GERRYMANDER to be part of the Webster Arts national juried “Works on Paper” Exhibition. Webster Arts is located at 483 E. Lockwood, St. Louis, MO 63119 and the Exhibition will run from July 16, 2019 until August 30, 2019. And I am even more pleased that at the opening reception on July 16, 2019 THE ART OF THE GERRYMANDER  received an “Award of Excellence” one of only three awards given out.

Abstracting Emotions #6

(C) JOHN FANSMITH 2019

ABSTRACTING EMOTIONS #6 is the sixth in my “Abstracting Emotions” Series which uses two different types of my handmade paper. The printing, a hand inked and hand pulled monotype, was done on paper made from scrap watercolor, BFK, and business correspondence paper which were shredded, boiled together, sheeted and Plexiglas dried to create a white/off white relatively monochromatic and smooth printing paper. The print was then mounted on a different sheet of my handmade paper which was made from kozo and black dyed kozo in order to create a patterned and textured counterpoint to the print. (16” x 16”) (2019) ($250.00)

THE HALLOWEEN BUNNY in Reclaimed! Show

(C) JOHN FANSMITH 2018

I am very pleased to announce that juror Bryant Holsenbeck has invited my welded steel sculpture THE HALLOWEEN BUNNY into the Arts Council of Fayetteville/Cumberland County “Reclaimed!” Show, a show which is focused on the use of reclaimed, recycled, and repurposed materials. The “Reclaimed!” Show will be located at 301 Hay Street, Fayetteville, NC 28301 and will run from June 28, 2019 until August 17, 2019. This is THE HALLOWEEN BUNNY’S second visit to North Carolina, previously having been part of the “Menagerie – Wild and Wonderful” Show in Washington, NC.

Abstracting Emotions #5

(C) JOHN FANSMITH 2019

ABSTRACTING EMOTIONS #5 is the fifth in my “Abstracting Emotions” Series which uses two different types of my handmade paper. The printing, a hand inked and hand pulled monotype, was done on paper made from scrap watercolor, BFK, and business correspondence paper which were shredded, boiled together, sheeted and Plexiglas dried to create a white/off white relatively monochromatic and smooth printing paper. The print was then mounted on a different sheet of my handmade paper which was made from an old pair of blue jeans. (16” x 16”) (2019) ($250.00)

HESITATION, DEJECTION, and REVULSION accepted at the Fe Gallery

I am very pleased to announce that three of my hand built, raku fired paper clay sculptures from the “Cognitive Emotions” Series: HESITATION, DEJECTION, and REVULSION have been accepted into the “Pattern and Abstraction” Show at the Fe Gallery, 1100 65th Street, Sacramento, CA 95819. For this national juried show, only 54 pieces were selected from 784 entries, and I am honored to have had three of the 54. The Show will run from June 2, 2019 until July 26, 2019.

Abstracting Emotions #4

(C) JOHN FANSMITH 2019

ABSTRACTING EMOTIONS #4 is the fourth in my “Abstracting Emotions” Series which uses two different types of my handmade paper. The printing, a hand inked and hand pulled dark field   monotype, was done on paper made from scrap watercolor, BFK, and business correspondence paper which were shredded, boiled together, sheeted and Plexiglas dried to create a white/off white relatively monochromatic and smooth printing paper. The print was then mounted on a different sheet of my handmade paper which was made from abaca, cotton linter and dryer lint in  order to create a patterned and textured counterpoint to the print. (16” x 16”) (2019) ($250.00)