I am very happy to announce that three of my pieces THE ART OF THE GERRYMANDER, PORTRAIT OF GAIA: 2018, and MEMORIES OF THE FALL will be part of the Guild of Papermakers Exhibition at Montgomery County Community College. The Exhibition will be held in MCCC’s Fine Arts Center at 340 DeKalb Pike, Blue Bell, PA 19422, and will run from May 21, 2019 until June 29, 2019.
GMO # 37 is a mixed media sculpture using a found object and hand built raku fired paper clay. Somehow, using a purely natural object (a piece of yew root), and something completely manufactured (paper clay), seemed the appropriate way to depict a “genetically modified object”. GMO #37 is part of a series of mixed media sculptural pieces I’m going to be concentrating on this year. For want of a better title, I’m calling it my “Look What I Found” Series.
PRELUDE, part of my “Look What I Found” series of sculptures using found objects and hand built paper clay elements, draws upon my “Rim of Fire” series for its inspiration. The pieces in the “Rim of Fire” series use stained glass and paper clay fired together to depict the early moments of a volcanic eruption. PRELUDE, as its name implies, is of an earlier moment: the clouds of ash are rising but the eruption has not started. PRELUDE is composed of distorted Styrofoam, handmade paper clay, resin, underglazes, and acrylic and enamel paints.
In ORACLE, two High Priests seek guidance in a desolate place amidst a surreal mixture of the natural and unnatural. ORACLE is a mixed media sculpture: the base consists of handmade paper clay using rehydrated scrap clay and recycled newspapers fired together with glass tiles; the “tree” is a found object, part of a yew root from a necessary brush cutting; the “Oracle” is composed of a different type of glass tile than in the base, and the “High Priests” are hand built and raku fired using a different type of paper clay than used in the base. Underglazes, epoxy, acrylic paint and shellac complete the piece – as I said, a combination of natural and unnatural. (11” x 13 ½” x 7”) ($325.00)
HIGH MOUNTAIN MEADOW is set in spring when the mountain’s snow cap is melting but still visible and the meadow grasses and flowers are starting to come into their own. HIGH MOUNTAIN MEADOW is part of my “Landscape” series of stained glass/paper clay wall hangings. (11” x 6” x 2”) ($255.00)
For the Hawaii National Park Centennial competition in 2016 I created two stained glass/paper clay wall hangings NIGHT VIEW OF KILEAUA and ERUPTION, and since then have been intrigued by the potential for depicting a volcanic eruption using that medium. Hekla is the name of an active Icelandic volcano surrounded by ice which erupted in 2000. HEKLA is my effort to depict, however abstractly, that moment when the eruption has started but the ice has not yet been overwhelmed. HEKLA is intended to be part of my “Rim of Fire” Series. 9” x 9” x 2”.
BAYOU, part of my “Landscape” series of stained glass/paper clay pieces, is an overview of a lush place where land and water mix and merge in timeless but ever changing patterns. (12” x 6” x 1 ½”) ($265.00)
SANDBAR, depicting a river sandbar, is composed of stained glass and paper clay fired together to over 2000 degrees Fahrenheit in order to get a depth of color not possible with regular glazes. 5 ½” x 10 ½” x 1 ½”. SANDBAR, along with ERUPTION and LAGOON is currently on display at the Arts Benicia Show “Cutting Edge: Nontraditional Glass” in Benicia, California.
An Ekphrastic Show is one that combines visual and verbal works of art: for example, a painting and a poem inspired by it, or a sculpture inspired by a poem and the poem. So, I am delighted to announce that my “Whimsical One-Liner” ink drawing HALF ASS DRAWING has inspired poet Mike Cohen to create a poem entitled “DONE-KEY.” Both the poem and the drawing can be viewed at the Manayunk-Roxborough Art Center, 419 Green Lane, Manayunk, PA from December 2, 2018 through December 9, 2018. There will be an opening reception from 12:00 until 3:00pm on Sunday, December 2nd.
BIG CLIPS AND BUMP STOCKS, a paper collage, is a follow up to SANDY HOOK: HOPES, FEARS AND THE NRA and was started after the Las Vegas shootings. Both pieces use the same materials (recycled paper and light cardboard) and tools (scissors, and a paper punch), recognizing that virtually nothing changed between the two events except the scale of the massacre which is reflected by the larger size of BIG CLIPS AND BUMP STOCKS. While I would prefer to stop with BIG CLIPS AND BUMP STOCKS, in reality, I expect this to be an ongoing series. Matted and framed to 18” x 24”.