FIFTY SHADES OF GREEN is a paper collage which uses two basic shapes: circles and triangles, to create both a feeling of motion and a sense of confinement within a single, if broadly defined palette. Everything in FIFTY SHADES OF GREEN, including the title, is recycled. Matted and framed to 18” x 14
I am very pleased to announce that my stained glass/ceramic sculpture, CHILD’S GARDEN ON GILESE 832 X: BLUE FLOXNIA, will be part of the Descanso Gardens “Unusual Views” Exhibition. CHILD’S GARDEN ON GILESE 832 X: BLUE FLOXNIA can be viewed at the Stuart Haaga Gallery at Descanso Gardens,1418 Descanso Drive, La Canada Flintridge, CA 91011 from the opening reception for the Exhibition on February 10, 2019 until its closing on June 9, 2019.
ABSTRACTED EMOTIONS #1 is a hand inked and hand pulled monotype printed on paper I made using scrap watercolor and business paper which is in turn mounted on another sheet of paper I made using banana peel and abaca. ABSTRACTED EMOTIONS #1 is the first in a series which will try to match abstract prints with handmade papers from materials such as banana peels, corn husks, asparagus stalks, kale stems, pineapple leaves and cantaloupe rinds each of which produces a paper with a unique texture and color. I am finding that the more I become involved in creating art, the more I become interested in using found, salvaged, and recycled objects and materials as part of it, whether it be ceramics, paper making, print making or collage.
I am very pleased to announce that my Joomchi wall hangings, PORTRAIT OF GAIA: 2018 and THE ART OF THE GERRYMANDER, will be part of the Crooked Tree Arts Center’s “Fresh Cuts – The Art of Papercraft” Exhibition. The Exhibition will open with a reception from 2 to 4 pm on Saturday, January 12, 2019 and will run until February 16, 2019. The Crooked Tree Arts Center is located at 322 6th Street, Traverse City, MI 49684.
WINTERGRASS is set at twilight in late December. The sky is clouded and a strong wind is blowing from the North. Snow is in the air. The conditions are harsh and the scene is bleak, yet the grass is resilient, bending but not breaking in the wind, enduring and waiting for the coming of spring. A hand inked and hand pulled monotype printed on watercolor paper, it is matted and framed to 16” x 20”.